stivi
Well-Known Member
Keinemusik Pacha - 19th May
anyone interested in attending this, buy your tickets pronto. as in tonight.
Keinemusik Pacha - 19th May
Done! Prices going up quicklyanyone interested in attending this, buy your tickets pronto. as in tonight.
Prices have gone up every hour or so started at 75 euro I go them for 85 euro, now 100!100€ - 2nd release? ok.
€85 for a door fee to a club.. how life has changed over the years.. Old rant alert when we paid £3 in for guests like Dave Clarke, Justin Robertson, Charlie Hall, Chat Jackson etc.. Still they are BIG boys on the scene…Prices have gone up every hour or so started at 75 euro I go them for 85 euro, now 100!
I know it's a joke! I still pay it though and so does everyone else...robbing us blind, what's the excuse war and inflation€85 for a door fee to a club.. how life has changed over the years.. Old rant alert when we paid £3 in for guests like Dave Clarke, Justin Robertson, Charlie Hall, Chat Jackson etc.. Still they are BIG boys on the scene…
Let's hope so! Pacha is one of the best for not being too packed, u going?Not that expensive to not have room to dance
No, I was there last year, it was too crowded and I didn't really like the music, I found it to commercial and uneven.Let's hope so! Pacha is one of the best for not being too packed, u going?
Blame their social media popularity. Another act who’ve sadly been spoiled100€ - 2nd release? ok.
You are joking right……! Pacha is one of the best for not being too packed, u going?
Pardon me for asking but I see a lot of chat on here for Keinemusik, can someone enlighten me on why they’re so popular to command such high ticket costs? Suppose it’s all subjective and each to their own but their name pops up in a lot of places and from what I’ve heard, they seem to be part of the “techy/minimal/low key house music” genre.Keinemusik Pacha - 19th May
I am not they are better than hi and Dc10You are joking right……
Yeh they can be hit and miss to be honest I didn't enjoy them at Dc10, also uneven and samey but it will be better than some nights that they have in madridNo, I was there last year, it was too crowded and I didn't really like the music, I found it to commercial and uneven.
I wonder how many tickets were actually available at those price points. Festivals do the same with 'early birds' then they show how 'fast' they sell this tier just to get more tickets to sell at the higher price points. Gone are the days of pre 1am entry etc !!Prices have gone up every hour or so started at 75 euro I go them for 85 euro, now 100!
Pardon me for asking but I see a lot of chat on here for Keinemusik, can someone enlighten me on why they’re so popular to command such high ticket costs? Suppose it’s all subjective and each to their own but their name pops up in a lot of places and from what I’ve heard, they seem to be part of the “techy/minimal/low key house music” genre.
I’m just keen and curious to understand the how and why
Keinemusik, in my point of view, had a different approach to house music and they had a cult following between 2014-2021. They threw small but intimate parties, had their own vibe, they had their own groovy and dark side and played some stuff close to heavy side of house music as well.
I was a big fan those years.
They had legendary remixes to Ame, Dj Koze, Royskopp. Their sunrise party at Amsterdam Loft ADE 2019 is probably the best party i have ever been to in my life still. They used to attract an incredible crowd who loved music, and i discovered also many new producers thanks to them, like Yor Kultura and Motip White.
How things change though, after their infamous Burning Man 2022 set published on Youtube, and their production to Drake's album, fame got them. They caught a very specific crowd, post pandemic ravers who likes easy to listen ore simpler side of house music, and they play predominantly Afro House, with 90s edits and sing alongs etc. Instead playing smaller stages, now they are charging up to 200-300k to some events and to be honest, when i went to their off-sonar set this summer in Barcelona, i did not enjoy one bit. A new crowd, a new music, and a very negative vibe. Now they are playing Travis Scott, Dua Lipa and some arabic pop.
It attracts a very wide crowd, and makes them a lot of money, good for them. Innervisions guys are probably the only guys left in this scene which did not get affected with fame and money in my opinion, i mean look at tale of us, it is very difficult to not change your style to cater a wider crowd. I will always respect them for their music last decade, but would not go to their sets anymore. Not my music, not my crowd.
Love this, thanks for the comprehensive answer! That’s why this forum is ace.Keinemusik, in my point of view, had a different approach to house music and they had a cult following between 2014-2021. They threw small but intimate parties, had their own vibe, they had their own groovy and dark side and played some stuff close to heavy side of house music as well.
I was a big fan those years.
They had legendary remixes to Ame, Dj Koze, Royskopp. Their sunrise party at Amsterdam Loft ADE 2019 is probably the best party i have ever been to in my life still. They used to attract an incredible crowd who loved music, and i discovered also many new producers thanks to them, like Yor Kultura and Motip White.
How things change though, after their infamous Burning Man 2022 set published on Youtube, and their production to Drake's album, fame got them. They caught a very specific crowd, post pandemic ravers who likes easy to listen ore simpler side of house music, and they play predominantly Afro House, with 90s edits and sing alongs etc. Instead playing smaller stages, now they are charging up to 200-300k to some events and to be honest, when i went to their off-sonar set this summer in Barcelona, i did not enjoy one bit. A new crowd, a new music, and a very negative vibe. Now they are playing Travis Scott, Dua Lipa and some arabic pop.
It attracts a very wide crowd, and makes them a lot of money, good for them. Innervisions guys are probably the only guys left in this scene which did not get affected with fame and money in my opinion, i mean look at tale of us, it is very difficult to not change your style to cater a wider crowd. I will always respect them for their music last decade, but would not go to their sets anymore. Not my music, not my crowd.