You dont know how lucky you are!
- Thread starter collyp
- Start date
Blimey there's a blast from the past, I used to love that holeWhat happened to it??
its still there its got a different name now its either called the hanger or the zoo... nothing that good happens there nowadays could do with a bit of £ spending on it too!
WeLuvIbiza
Active Member
I often see / read of how frustrated and pissed people are with the prices of drinks and club tickets across the Island, check this out.
Tomorrow sees the return of Danny T to Dublin, 1st time in over 10 years I think. First time I saw him was last year in Space with John Digweed, I can say it was prob my best clubbing night ever, just brilliant. Tomorrow I get to see him for a second time, playing from 9 - 3am in Tripod - €37 - One DJ.
I paid €20 for him, Digweed, Yousef and few others last year in Space, Ibiza.
Next Friday Ill arrive in Ibiza for my 6th time (Wohoo, My first trip @ 18, i said Id never go back in 1st few days). Ill get We Love close for €50 + a free drink and about 30 DJs in my favourite club - Drinks are expensive, but count yourself lucky, here in Ireland we are starved of good djs and prices!
Roll on Steve Lawler We Love Close 28th!!!!!!!!!
Was it worth the 37 euros, any feedback appreciated
Now if you were to shop around here you would discover this legendary DJ on next month for a bargain €10 or even a fiver before 11pm brillant value for money, fcuk that paying stupid money to see an overated DJ when you have gigs like this, respect to Subject/Swirl Dublin for charging the very minimum price and 2 fingers up to greedy promoters who charge way over the odds!!!!
26th Oct - NICKY HOLLOWAY & More at 4 Dame Lane, Dublin.
Subject / SWIRL Access All Areas
Bank Holiday Sunday 26th October 2008 - 4 Dame Lane, Dublin 2
Room 1 - Desert Island Disco [Disco. Classic House. Balearic]
NICKY HOLLOWAY
[Desert Island Disco, Special Branch, London]
Stephen Manning
[Space Camp / Night Flight]
Room 2 - SWIRL [DeepFunkinBumpinHOUSEMusic]
Joe Morrissey
Mr Rossworth
Ro Flynn
Austin Molloy
Doors 9pm - 2:30am | Adm: e10 / e5 | http://www.myspace.com/subjectevents
NICKY HOLLOWAY [Desert Island Disco] a [self-penned] introduction...
Trying to write your own biography is incredibly hard and I have been
putting it off for years. Lots has been written about me in the music
press over the years, but it's pretty fragmented and usually only covered
a brief snapshot of my career or the antics at the time, so, with the
publication of my new website [www.desertislanddiscos.com] I thought it
was the ideal opportunity to pull them all together and commit my personal
story for the record. Anyway here goes...
I was born in London in...let's just say the Swinging Sixties, and spent
most of my school years playing truant and getting into trouble. I left
school at fifteen without any qualifications, and started working in a
menswear shop in North London. This would not last long and I soon got the
sack for spending too much time in the record shop two doors away, but the
seeds were sown for a career in music. Fast forward to 1979 and a
sixteen-year old Nicky Holloway had just discovered clubs, lager and of
course girls, and I found myself standing on the balcony at the Royalty
Club in Southgate watching Froggy mixing two copies of Instant Funk's "I
Got My Mind Made Up" and thinking, "I wanna to be a DJ" - which back in
those days was hardly considered a good career move. I never had enough
money to buy a set of decks (Technics 1200 had just come out) but I do
remember waiting for Mum to go to work, so I could borrow her hi-fi and
install it in my bedroom next to mine where I would practice for hours on
end dreaming of the day when I actually played to a crowd, in fact come to
think of it I was the original bedroom DJ.
After numerous unsuccessful auditions, I finally found an agency that
booked DJ's for the thriving Disco Pub scene that had sprung up around the
Old Kent Road and in 1980 got my first ever paid gig. I started to work
4-5 nights a week at various South London dives longing for the day when I
would play in stylish venues and to bigger and better crowds. I finally
realised that one way I could make this happen quicker was to put on my
own parties. When I first started to organize nights out back in 1984 the
whole club thing was very different from what we have come to expect in
this day and age. Even if you were clued up, back in London in 1984 you
had a very limited choice as to where you could spend your Saturday night.
If you knew the score you managed to get hold of a ticket for one of my
Special Branch parties or "Doo's", where, along with a relatively unknown
at the time Pete Tong, we combined Hip Hop, Rare Groove, R&B and early
House in one room while Gilles Peterson spun a more Jazzy eclectic mix in
the other room. You could find me playing a similar selection on Friday
nights at the legendary Royal Oak in Tooley Street but this was just a
taster of things to come.
By now I had really got the promotion bit between my teeth and between
1984 and 1988 I put together sixteen "Doo at the Zoo's" at London Zoo,
four Weekenders at Rockley Sands, and many other assorted one-offs at
unique venues such as the Natural History Museum , Chislehurst Caves,
Thorpe Park and even took three hundred people for their first taste of
Ibiza – this is in 1985 a mere twenty one years ago, half of those that
went on that trip are still known to be wandering around club land "'avin'
it", even though they are all now well over thirty five! The Special
Branch's reputation grew and grew until the end of 1987 when the whole of
the club scene was about to be turned upside down, enter stage left, House
music.
1988 turned out to be one of those landmark years that will be embedded on
peoples' brains for the rest of their lives, you only have to read one of
the many books published that cover the period such as Adventures in
Clubland, Once in a Lifetime, Class of '88 or Altered States to realize
something happened that year that completely changed the face of clubbing.
When I opened Trip at the Astoria in Charing Cross Road at the end of May
1988, I was expecting to get somewhere between six and eight hundred
people. Much to my delight and amazement two thousand clubbers turned up
every Saturday for the next two years at what was probably the first big
legal (for want of a better word) Acid House club with me and, for a year
or so, Pete Tong as residents. The likes of Dave Morales, Todd Terry,
Kevin Saunderson, Derek May and West Bam weren't anything like the
legendary names they are now however, always the pioneering sort, I stuck
my neck out a bit and gave them some of their first ever gigs in the UK
during this period. Of course the exploding Acid House phenomenon couldn't
stay out of the spotlight for long and I decided to change the name of
Trip to Sin, because of the misinformed media exposure and panic tabloid
journalism that Acid House was attracting at the time. It had also become
a regular experience for the Charing Cross Road to be blocked with
dancing, smiling faces when the club ended, the police at the time had
absolutely no idea as to what was going on, and just stood back in
amazement.
During this period, with a concept loosely based upon the Caister Soul
Weekenders that I grew up going to in the late Seventies and early
Eighties, the Incredible Organization as my promotions company was then
known, successfully managed to spirit away three thousand people for the
whole weekend twice a year to the aptly named "KAOS Weekenders" at places
such as Pontin's Holiday Camps at Camber Sands in Sussex and Hemsby in
Norfolk. A monster had been created and like all good things there comes a
time when it stops being fun and its time to move on. So that's what I
did. In April 1990 I finally got my first club and wanted to put a bit of
style back into clubbing, a baggy jumper, strobe and smoke machine were no
longer good enough, enter the Milk Bar - with it's whiter than white image
and strict door policy it stood out alone in clubland. With Paul
Oakenfold's Friday nights, Pete Tong and Dave Dorrell's Saturday nights,
Darren Emerson on Mondays, Danny Rampling's Pure Sexy and Glam on a
Wednesdays and in the latter years Brandon Block and Lisa Loud F.U.B.A.R.
on the Sunday night, its suffice to say the Milk Bar rocked! Dave Morales,
Tony Humphries the Brand New Heavies all graced our presence and even a
then unheard of Jamiroquai played one night at the club.
During the summer of '92 we also opened up a couple of bars in Ibiza under
the Milk Bar banner which ran successfully for a couple of seasons while I
managed to get Ibiza out of my system. I wanted to stay on the Island for
the whole summer, so I had to get my own bars going – didn't want to have
to buy any drinks now, did I! Journalists often ask me what's the best
night I've ever put on, which is a tough one to answer. There have been so
many good nights over my twenty six years of DJ'ing that to pick one is
hard work, however one event that I'm really proud of and which was a
spectacular achievement by anyone's standards was back in 1993 when we
took three thousand clubbers to Euro Disney in Paris for a one-off event
named Dance Europe .This was originally supposed to be on site at Disney
until three weeks before, when Disney Corp got cold feet and cancelled the
event, worried about their family image and anticipating the potential for
"Mickey Mouse on Acid" stories in the press. Determined not to be beaten I
jumped on the train went over to Paris, secured 13 hotels nearest to
Disney for the accommodation and bought three thousand passes for Disney
which are valid for any day so they could not stop us using them. The
event went off despite all odds and non-stop rain, and was very memorable.
After the lease on the Milk Bar ran out in 1994 it was time to find a new
home for my nocturnal activities. As with several things in my life,
purely by accident I managed to find a site just around the corner from
the Milk Bar in an old Salsa Restaurant and the Velvet Underground was
born. In the three years that I was at the helm of the club it fair to say
that everyone who was anyone in dance music graced the decks there. During
this period We also opened MARS back on the old Milk Bar site (on a short
lease) which while only ran for a couple of years was still successful and
organized dozens of other one -offs. But life doesn't always go the way
you want it. To finance a new club project I sold my stake in the clubs to
my former partner Leon and proceeded to waste a year and a half of my life
and all the money I had on getting a big new club in Soho off the ground,
which sadly due to planning permission never happened...
These days, as well as production for many music clients, and myself, I
still find time for three or four DJ gigs a month, a fair number of which
are abroad - which I enjoy the most. I'm lucky enough to have travelled
the world with a set of headphones and have made some great friends in
many countries.
More at:
http://www.myspace.com/subjectevents
http://www.desertislanddiscos.com
http://www.subjectevents.bebo.com
http://www.nickyholloway.com
http://www.subjectevents.com
http://www.spacecamp.ie
Subject / SWIRL Access All Areas
Bank Holiday Sun 26th October 2008 - 4 Dame Lane, Dublin 2 w/
NICKY HOLLOWAY, Stephen Manning & SWIRL Residents...
Adm: e10 [e5 b4 11pm] | Doors 9pm - 2:30am | More info:
http://www.myspace.com/subjectevents /// http://www.subjectevents.bebo.com
Facebook: 'Subject Dublin' /// Mailing List: info[at]subjectevents[dot]com
26th Oct - NICKY HOLLOWAY & More at 4 Dame Lane, Dublin.
Subject / SWIRL Access All Areas
Bank Holiday Sunday 26th October 2008 - 4 Dame Lane, Dublin 2
Room 1 - Desert Island Disco [Disco. Classic House. Balearic]
NICKY HOLLOWAY
[Desert Island Disco, Special Branch, London]
Stephen Manning
[Space Camp / Night Flight]
Room 2 - SWIRL [DeepFunkinBumpinHOUSEMusic]
Joe Morrissey
Mr Rossworth
Ro Flynn
Austin Molloy
Doors 9pm - 2:30am | Adm: e10 / e5 | http://www.myspace.com/subjectevents
NICKY HOLLOWAY [Desert Island Disco] a [self-penned] introduction...
Trying to write your own biography is incredibly hard and I have been
putting it off for years. Lots has been written about me in the music
press over the years, but it's pretty fragmented and usually only covered
a brief snapshot of my career or the antics at the time, so, with the
publication of my new website [www.desertislanddiscos.com] I thought it
was the ideal opportunity to pull them all together and commit my personal
story for the record. Anyway here goes...
I was born in London in...let's just say the Swinging Sixties, and spent
most of my school years playing truant and getting into trouble. I left
school at fifteen without any qualifications, and started working in a
menswear shop in North London. This would not last long and I soon got the
sack for spending too much time in the record shop two doors away, but the
seeds were sown for a career in music. Fast forward to 1979 and a
sixteen-year old Nicky Holloway had just discovered clubs, lager and of
course girls, and I found myself standing on the balcony at the Royalty
Club in Southgate watching Froggy mixing two copies of Instant Funk's "I
Got My Mind Made Up" and thinking, "I wanna to be a DJ" - which back in
those days was hardly considered a good career move. I never had enough
money to buy a set of decks (Technics 1200 had just come out) but I do
remember waiting for Mum to go to work, so I could borrow her hi-fi and
install it in my bedroom next to mine where I would practice for hours on
end dreaming of the day when I actually played to a crowd, in fact come to
think of it I was the original bedroom DJ.
After numerous unsuccessful auditions, I finally found an agency that
booked DJ's for the thriving Disco Pub scene that had sprung up around the
Old Kent Road and in 1980 got my first ever paid gig. I started to work
4-5 nights a week at various South London dives longing for the day when I
would play in stylish venues and to bigger and better crowds. I finally
realised that one way I could make this happen quicker was to put on my
own parties. When I first started to organize nights out back in 1984 the
whole club thing was very different from what we have come to expect in
this day and age. Even if you were clued up, back in London in 1984 you
had a very limited choice as to where you could spend your Saturday night.
If you knew the score you managed to get hold of a ticket for one of my
Special Branch parties or "Doo's", where, along with a relatively unknown
at the time Pete Tong, we combined Hip Hop, Rare Groove, R&B and early
House in one room while Gilles Peterson spun a more Jazzy eclectic mix in
the other room. You could find me playing a similar selection on Friday
nights at the legendary Royal Oak in Tooley Street but this was just a
taster of things to come.
By now I had really got the promotion bit between my teeth and between
1984 and 1988 I put together sixteen "Doo at the Zoo's" at London Zoo,
four Weekenders at Rockley Sands, and many other assorted one-offs at
unique venues such as the Natural History Museum , Chislehurst Caves,
Thorpe Park and even took three hundred people for their first taste of
Ibiza – this is in 1985 a mere twenty one years ago, half of those that
went on that trip are still known to be wandering around club land "'avin'
it", even though they are all now well over thirty five! The Special
Branch's reputation grew and grew until the end of 1987 when the whole of
the club scene was about to be turned upside down, enter stage left, House
music.
1988 turned out to be one of those landmark years that will be embedded on
peoples' brains for the rest of their lives, you only have to read one of
the many books published that cover the period such as Adventures in
Clubland, Once in a Lifetime, Class of '88 or Altered States to realize
something happened that year that completely changed the face of clubbing.
When I opened Trip at the Astoria in Charing Cross Road at the end of May
1988, I was expecting to get somewhere between six and eight hundred
people. Much to my delight and amazement two thousand clubbers turned up
every Saturday for the next two years at what was probably the first big
legal (for want of a better word) Acid House club with me and, for a year
or so, Pete Tong as residents. The likes of Dave Morales, Todd Terry,
Kevin Saunderson, Derek May and West Bam weren't anything like the
legendary names they are now however, always the pioneering sort, I stuck
my neck out a bit and gave them some of their first ever gigs in the UK
during this period. Of course the exploding Acid House phenomenon couldn't
stay out of the spotlight for long and I decided to change the name of
Trip to Sin, because of the misinformed media exposure and panic tabloid
journalism that Acid House was attracting at the time. It had also become
a regular experience for the Charing Cross Road to be blocked with
dancing, smiling faces when the club ended, the police at the time had
absolutely no idea as to what was going on, and just stood back in
amazement.
During this period, with a concept loosely based upon the Caister Soul
Weekenders that I grew up going to in the late Seventies and early
Eighties, the Incredible Organization as my promotions company was then
known, successfully managed to spirit away three thousand people for the
whole weekend twice a year to the aptly named "KAOS Weekenders" at places
such as Pontin's Holiday Camps at Camber Sands in Sussex and Hemsby in
Norfolk. A monster had been created and like all good things there comes a
time when it stops being fun and its time to move on. So that's what I
did. In April 1990 I finally got my first club and wanted to put a bit of
style back into clubbing, a baggy jumper, strobe and smoke machine were no
longer good enough, enter the Milk Bar - with it's whiter than white image
and strict door policy it stood out alone in clubland. With Paul
Oakenfold's Friday nights, Pete Tong and Dave Dorrell's Saturday nights,
Darren Emerson on Mondays, Danny Rampling's Pure Sexy and Glam on a
Wednesdays and in the latter years Brandon Block and Lisa Loud F.U.B.A.R.
on the Sunday night, its suffice to say the Milk Bar rocked! Dave Morales,
Tony Humphries the Brand New Heavies all graced our presence and even a
then unheard of Jamiroquai played one night at the club.
During the summer of '92 we also opened up a couple of bars in Ibiza under
the Milk Bar banner which ran successfully for a couple of seasons while I
managed to get Ibiza out of my system. I wanted to stay on the Island for
the whole summer, so I had to get my own bars going – didn't want to have
to buy any drinks now, did I! Journalists often ask me what's the best
night I've ever put on, which is a tough one to answer. There have been so
many good nights over my twenty six years of DJ'ing that to pick one is
hard work, however one event that I'm really proud of and which was a
spectacular achievement by anyone's standards was back in 1993 when we
took three thousand clubbers to Euro Disney in Paris for a one-off event
named Dance Europe .This was originally supposed to be on site at Disney
until three weeks before, when Disney Corp got cold feet and cancelled the
event, worried about their family image and anticipating the potential for
"Mickey Mouse on Acid" stories in the press. Determined not to be beaten I
jumped on the train went over to Paris, secured 13 hotels nearest to
Disney for the accommodation and bought three thousand passes for Disney
which are valid for any day so they could not stop us using them. The
event went off despite all odds and non-stop rain, and was very memorable.
After the lease on the Milk Bar ran out in 1994 it was time to find a new
home for my nocturnal activities. As with several things in my life,
purely by accident I managed to find a site just around the corner from
the Milk Bar in an old Salsa Restaurant and the Velvet Underground was
born. In the three years that I was at the helm of the club it fair to say
that everyone who was anyone in dance music graced the decks there. During
this period We also opened MARS back on the old Milk Bar site (on a short
lease) which while only ran for a couple of years was still successful and
organized dozens of other one -offs. But life doesn't always go the way
you want it. To finance a new club project I sold my stake in the clubs to
my former partner Leon and proceeded to waste a year and a half of my life
and all the money I had on getting a big new club in Soho off the ground,
which sadly due to planning permission never happened...
These days, as well as production for many music clients, and myself, I
still find time for three or four DJ gigs a month, a fair number of which
are abroad - which I enjoy the most. I'm lucky enough to have travelled
the world with a set of headphones and have made some great friends in
many countries.
More at:
http://www.myspace.com/subjectevents
http://www.desertislanddiscos.com
http://www.subjectevents.bebo.com
http://www.nickyholloway.com
http://www.subjectevents.com
http://www.spacecamp.ie
Subject / SWIRL Access All Areas
Bank Holiday Sun 26th October 2008 - 4 Dame Lane, Dublin 2 w/
NICKY HOLLOWAY, Stephen Manning & SWIRL Residents...
Adm: e10 [e5 b4 11pm] | Doors 9pm - 2:30am | More info:
http://www.myspace.com/subjectevents /// http://www.subjectevents.bebo.com
Facebook: 'Subject Dublin' /// Mailing List: info[at]subjectevents[dot]com
Maybe you caught him on a bad nite, every dj at some stage has a howler!
I have actually seen him play in London a few years back i cant remember the name of the place but i thought he was very good, and he has been on the scene from day one and is still going strong therefore he IMO is a legend on the scene, and for a fiver this is a bargain as opposed to €37 which is a total and utter rip off.
Im with you there Robbie. If I was compiling a list of legendary dj's (assuming that a bloke that plays records with no apparent gaps is worthy of such an accolade) Then Nicky Holloway would not be on it. As a promoter he did a lot for the developing scene back in the 80's & 90's as a DJ whenever I saw him, at best he was very average!!!
Each to their own and all that, i think Holloway is really good, but back to the original point, a fiver is for nothing really even for a normal club nite in certain clubs it can cost up to €15 here so this represents excellent value for money and more promoters like this are needed instead of those out to rip punters off charging way over the odds especially with there being a recession on!
ILoveSpaceIbiza
New Member
Was it worth the 37 euros, any feedback appreciated
Yeah, I was there and had an absolutely wicked night. He really is a legend, he gets the crowd going so well.
The only bad thing that I could say about it was the stupid Irish licencing laws that meant he had to finish at 3am when I think even he wanted to play on!!
He finished with the remix of REM's Losing My Religion which was the last tune that he played when I saw him in Space last year. Just for a second, I was almost transported back to Space and Ibiza with that tune!!