Pete Tong @ Eden

i still like privilege because it´s such a mysterious place with hidden edges,
"secret" gardens and a longlong history + very important role
in ibiza´s nightlife.

but ... WTF ... WHO IN THE WHOLE WIDE WORLD CAN BE SO FUKCING STUPID
TO THROW THE MOST IMPORTANT PARTY OUT ! ? ! ?
... does anybody know the facts what happened exactly last year
that made manumission move to amnesia ?
i only know that one night last year the doors were locked without any announcement
and thousands of nightclubbers werde stranded and had to go elsewhere ...

i like Privilege as well in fact it's prob my favourite after Amnesia. There is just something magical about it. BUT I really hate seeing most of it closed off each time I go there and 2500 people penned into a small area. Ibiza first timers have no idea what it's like in full swing.

The reason Manumission finished @ Privelege was because of an argument between Manumission's Andy McKay and the new Privilege boss Jose Maria Etxaniz over an alledged 160.000 euro fine handed down over Manumission repeatedly over-running.
It seemed neither party would accept responsibility and the big boss locked the doors as Manumission was about to start on the 3rd Aug 07.
I arrived the day after to start my hols, and just laughed when people told me. Typical of Privilege. Why bite the hand that fed them all those years?
 
i like Privilege as well in fact it's prob my favourite after Amnesia. There is just something magical about it. BUT I really hate seeing most of it closed off each time I go there and 2500 people penned into a small area. Ibiza first timers have no idea what it's like in full swing

Yeh when I was there for balearic pirates on a saturday it definetly didnt seem like the worlds biggest club, I still had an awesome night though and they put on a great show. Will there be any night this year at priv that will consistently get the club full? Meganite?
 
i'd say monza on thursdays and tiesto on mondays...

I reckon Monza will pull about 5000 max. Tiesto looks like the biggest draw, and judging by Meganite the last 3 years i've been to it- it looks like about 3000 in there on a good night.
 
It really sounds like Priv needs to steal a high profile night away from one of the other big clubs. I dont know anything about ibiza politics but is this at all possible? Seems to happen occasionally
 
It really sounds like Priv needs to steal a high profile night away from one of the other big clubs. I dont know anything about ibiza politics but is this at all possible? Seems to happen occasionally

I think Cream should return to Privilege- they would have no trouble filling most of the club. I am put off going to Cream @ Amnesia because of the way they over crowd it.
 
Carl Cox interview @ clubtickets.com


www.clubtickets.com: Last question – if the money were right, would you go to Eden?

Carl: Not a chance. When I first started djing I used to play there when it was called Kaos. It was one of the first clubs I played in, and it’s kind of like Lewis Hamilton, him being where he is today, you know he started on go-karts, and he went through to Formula 3 and Formula 2 until he got to Formula 1. Well that is my go-kart; and I’ve ended up at Space. So for me to go back there? Well it just wouldn’t happen.
 
Carl Cox interview @ clubtickets.com


www.clubtickets.com: Last question – if the money were right, would you go to Eden?

Carl: Not a chance. When I first started djing I used to play there when it was called Kaos. It was one of the first clubs I played in, and it’s kind of like Lewis Hamilton, him being where he is today, you know he started on go-karts, and he went through to Formula 3 and Formula 2 until he got to Formula 1. Well that is my go-kart; and I’ve ended up at Space. So for me to go back there? Well it just wouldn’t happen.

What a superb analogy, I didn't know the big man was such a great thinker! Wonder if Tong's heard it??!!
 
Reading some of the posts Re: Manumission at Priviledge , I was very fourtunate to go last year a few weeks before they all fell out and moved to Amnesia, I have been to some great club nights but the hugeness of the club coupled with the diverse and amazing spectacle that is Manumission was a combination I don't think can be beaten. If it was announced Manumission was going back to Priviledge I'd book a ticket tomorrow, but to me I cant see how thay can get the same atmosphere in the relatively small space that is Amnesia. Dont get me wrong I like going to Amensia (even when to do over crowd it) but its just not right for Manumission.
 
goldfish ???



"...
The power to happen huge

February 13, 2008
By Therese Owen

It couldn't have happened to two nicer guys. Since 2006, Dominic and David, two qualified jazz musicians from Cape Town, who happen to also be surfers, have revolutionised South African dance music.

GOLDFISH HAVE JUST SIGNED A DEAL WITH PACHA,
the massive global dance brand that incorporates 30 nightclubs, hotels,
merchandising (think the two cherries) and events around the world.
In fact, they are so big that their only other rival is Ministry of Sound.

However, Pacha is not a record company in the usual sense of the word. They release only one album a year, each time with a different artist. That album and artist must obviously add to the name of the Pacha brand and, in return, the artist develops a prolific name within the dance industry.

So just how did two boys from Cape Town hook this massive deal?

"In 2007 we were recording our second album and we reached a creative wall," they recall.

"We decided to book some gigs in Europe which included Ibiza, where the main Pacha night club is. The first time we saw the club it was unreal - 7 000 people trying to get into a nightclub resembling a Spanish villa."

They managed to perform at longtime resident DJ of Pacha, Pete Tong's pre-party (Tong is a superstar in the world dance music).

"You see, each night of the week for the six summer months in Ibiza the world's biggest DJs each have their own spots, like Carl Cox would have a Monday and Paul van Dyk a Tuesday. Pete Tong had a Friday night last summer.

"The organisers were so impressed with us that they asked us to play at Pacha at Pete's main set, which only starts at 1am. We performed at Jade Jagger's party, called Jezebel, which she hosts every week at Pacha. She lives in Ibiza."

The pair say they received a good response and it was great to feel validated outside of their home country .

"We felt like we had touched a global nerve. We had affirmation that we could do something overseas."

They returned to the Cape refreshed and excited and continued work on the album. Then Tong contacted them, saying he wanted to do remixes of their music for his syndicated show which has 12-million listeners around the world.

Then Pacha offered them a record deal. "The funny thing is the guys from Pacha started off as hardcore motherf*@#ers and as we sent them more of our material, the e-mails changed to fan mail."

Luck also played a role. The manager of Pacha, Ibiza, just so happened to hail from Pretoria, so Goldfish had an ally in their corner.

"Pacha has a massive infrastructure around the world. This signing means we skip the first 10 rungs of the ladder. They have 30 very serious nightclubs around the world which we will be performing at and where our music will get played.

"WE ALSO HAVE A RESIDENCY AT PACHA IN IBIZA
ON A FRIDAY NIGHT FOR THREE MONTHS
DURING THEIR SUMMER SEASON THIS YEAR."

The duo also plan to launch their second album, Perceptions of Pacha, at Kirstenbosch Gardens in Cape Town in two months' time before going to the Miami Winter Music Conference. They then play Los Angeles before travelling to New York to perform at Pacha NYC.

Another part of the Pacha marketing involves remixing their music to infiltrate the huge underground dance scenes in Europe.

"Once that snowballs, we have the muscle to happen, and happen huge," they smile confidently. "But we are under no illusions that we have to work hard."
..."
( tonight.co.za)



"...
Who said (Gold)fish couldn't fly, hey?

September 19, 2008

By Atiyyah Khan

"We're not DJs. We're a live act. I've never played a record in my life," says Dominic Peters from Goldfish. Bold words from the electro-jazz duo who have just returned from a summer residency at Ibiza, the party capital of the world where thousands of DJs would have killed for the slot.

The "Fishies", Peters and his partner-in-crime David Poole, are nicely tanned and bursting with enthusiasm after returning from their 24-hour-party at one of the most famous clubs in Ibiza, called Pacha, where they held a four- month Friday night residency. As Peters says, "Pacha is basically the coolest club in the world."

The connection with Ibiza was made last year when the boys decided to try their luck and land a gig there. They met with DJ Pete Tong (BBC 1) and the organisers at Pacha who were keen to release their latest album, and through negotiations they were invited to play at the club for the summer.

"Our first gig was with Fedde le Grand and Will.I.Am and our second was with Basement Jaxx. It was amazing, we opened for them and they were next to us while we performed," says Peters excitedly.

Playing to a crowd of about 3 500 regularly, the boys also shared the stage with dance giants such as Faithless and Paul Oakenfeld. "James Blunt used to come to our gigs," Peters adds.

Since Pacha is a world-renowned brand, Goldfish have released a double-disc CD called Pure Pacha internationally to break into the global dance market. It features remixes of their own tracks as well as additions by DJ Sarah Main. Their second album, Perceptions of Pacha, which has topped charts in SA, will only be released internationally in March next year.

"Pure Pacha is a huge inroad into the world dance market. We released it overseas, because they're already an established brand and people will buy it. Perceptions of Pacha will be launched there next year, because there would be more recognition in the stores and people would know us better," explains Poole.

The boys share some interesting stories about Ibiza
. "It's got a sunset to die for. As the sun goes down, it hits the horizon, but just as it dips the DJ who's playing stops the track, and the whole crowd turns around to watch the sunset. After it sets, the DJ brings the tune back to say, 'Now the chill time is over, it's time to get nasty! Six tequilas, please!'" says Poole.

The party imagery goes on, making Ibiza truly sound like paradise.

Sleeping during the day, and partying at night, I wonder what else people at Ibiza do. "The thing about Ibiza that's amazing is that people don't have dinner until 11 at night, the sun only sets at about 10pm and people have a siesta in the afternoons, so all the stores are closed for naps. The beaches are amazing," says Poole.

The boys also travelled to England, Spain, France, Germany, Lithuania, Portugal and Brazil, where they received a great response to their music.

They will soon jet off to Dubai, Amsterdam and, strangely enough, Moscow. They describe the touring almost as a fitness training session in the musical sphere. "You go overseas and no one knows who you are, then some DJ just drops the biggest tune of the summer and you think you're going to get eaten alive.

"That's been really good for us, thrown in the lion's cage and learning how to deal with that."

About whether Ibiza is the drug capital of the world too, Peters responds: "We're not into that. Music is the best high of all."

They describe their standout show with Basement Jaxx: "It was one of our highlights. We had the whole of Pacha roaring and chanting along! And we thought, 'we're just two guys from Cape Town, if what we're doing can be vindicated on the international context, then SA does match up'."

... see www.goldfishlive.com
..."
(http://www.tonight.co.za)
 
Carl Cox interview @ clubtickets.com


www.clubtickets.com: Last question – if the money were right, would you go to Eden?

Carl: Not a chance. When I first started djing I used to play there when it was called Kaos. It was one of the first clubs I played in, and it’s kind of like Lewis Hamilton, him being where he is today, you know he started on go-karts, and he went through to Formula 3 and Formula 2 until he got to Formula 1. Well that is my go-kart; and I’ve ended up at Space. So for me to go back there? Well it just wouldn’t happen.

:lol:

So, essentially he's saying Tong's moved back down to the little leagues!
 
Unfortunately alot has changed at Eden since Carl played there when it was Kaos, I guess he would personally see it as a step backwards , but as they say...never forget where you come from.
 
Unfortunately alot has changed at Eden since Carl played there when it was Kaos, I guess he would personally see it as a step backwards , but as they say...never forget where you come from.

"Someday, all this will be someone else's dream...."
 
... GOLDFISH ...
"...
Swimming for gold
16 October 2008

Cape Town jazz-electronica act Goldfish
believe live performances will transform ‘stale’ clubbing scene


THOSE OF YOU in the know may remember a gig a few months ago which involved, among other things, a skinny, long-blond-haired Safa-dude playing a note on the saxophone that seemed to go on for ever, while hundreds of eager dancers boogied all around him. That was one half of Goldfish, the latest interactive jazz-electronica duo to rock our worlds.

Things have gone from strength to strength since then: sell-out gigs at various Pachas across the globe have made the Cape Town kids forces to be reckoned with in recent months, and the hype is far from over as the lads look to build on their recent successes. David Poole and Dominic Peters from Goldfish talk to City Times.

You guys have had quite a summer.
How was the Pacha experience for you
and what has it done for Goldfish?

We really had the 360 degree Pacha Experience! We were monthly residents at Pure Pacha (Fridays) at Pacha Ibiza and we performed at Pacha clubs and parties From Sharm El Sheikh to Campina’s in Brazil, with many stops in between. And to top this incredible experience off we did our first mix CD for 2008’s Pure Pacha with Sarah Main doing the first disc and us doing the second disc (available from beatport.com along with our first international single ‘Cruising through’)

What dragged you into music in the first place?
Do you have any specific early memories of listening
or being forced to listen to music as kids?

Well it is fairly well documented on our website my ‘special’ musical beginning with a sadistic violin teacher who put drawing pins in his ruler and poked my arm with it if my posture went wasn’t 100%! As a timid six-year-old I am quite amazed that I continued with music at all after this! I was probably scared of what he would do if I ever stopped! On a more serious note both our sets of families (The Pooles and the Peters) were incredibly encouraging from an early age which helped us realise the dream of being fulltime professional musicians.

There are clear jazz influences in your performances.
Are there any particuar jazz musicians who stand out for you?

We are essentially jazz musicians who are trying to be DJs without much success (so we have a live act instead!). So many jazz guys stand out for us: Winston Mankunku, John Coltrane, John Scofield, Medenski, Martin and Wood, Joshua Redman, Ron Carter and Ella Fitzgerald to name a few.

Was yours a transition from the traditional jazz set towards electronica
or did both genres hit you simultaneously?

Slow transition that took place (and is still taking place) over the last 10 years.

What have been your major dance influences over the years?

Eric Prydz (as Pryda), Mark Knight, Funkagenda, Kaskade, Bookashade from a more downtempo side we always chill to Kruder and Dormeister (back in the day!), Nicola Conte, Postal Service and Fat Freddy’s Drop.

A key element of your performances is the quality of your live musicianship and it seems to be something that is becoming more and more popular on dancefloors across the world. Do you see this being the future of clubbing?

Live performance is definitely the future and the more it happens the more people are going to expect it as part of the clubbing experience which is awesome as it really makes the whole stale clubbing vibe come to life again.

From The Cape to Pacha is a long way and you've been busy, busy boys since the 90s; what have been the highest high and lowest low points
since your first trip to Dubai at the Park Hyatt?

High points are numerous but the stand outs are definitely our SA CD launch at Kirstenbosch in March this year which went berserk and the second gig we did with Basement Jaxx at Pacha Ibiza a few months back which went equally berserk! Low point: We were once asked to play a gig for this group of extremely wealthy Russians on a luxury game farm in Botswana - and we had a bunch of different flights to catch because it was extremely remote and there aren’t even roads to this place, it’s that deep in the Okavango Delta. Halfway into the one flight on this rickety old prop plane, the pilot comes on and says there is something wrong and we’ll have to make an emergency landing. All the tourists on board start freaking out, and we’re looking out the window at endless bush (full of every wild animal you can think of) and wondering if we are going to make it… somehow we made it to another landing strip and the strangest thing was the cabin attendant kept falling asleep next to me while this was going on…like it was totally normal! After a couple more near death experiences (near collisions on runways etc) we missed the gig by about five minutes because the sun had set and it was too dark to land the light plane on the bush runway without lights. So it was straight back home to Cape Town the next day without a note played. Thanks for coming!

Now that it's coming to a close, what has been your tune of the summer?

The Man with the red face remix by Mark Knight and Funkagenda !
You couldn’t escape it all over the world!!
..."
(citytimes)
 
Back
Top