oh yes. or darkcore as it was called. loftgroover was eeeevil.
i always remember a track...'my mum told me that a man would f*ck a snake if you held its head for long enough'....BOSH BOSH BOSH
ahhhh happy days.
it's music for mongs or members of the hitler youth or Fiesta drivers in the North
Moby inadvertently drew attention to how ridiculous the sound is on his amusing (at the time) track "1000"
anyone championing it (even ironically) really should be embarrassed.
Or music for younger people Olly. I had some amazing nights bouncing about in a Stoke Leisure centre to Brisk, Sy & MC Connie.
Mong, Hitler Youth & Fiesta no.
Northern yes but is that so bad?
it's music for mongs or members of the hitler youth or Fiesta drivers in the North
Moby inadvertently drew attention to how ridiculous the sound is on his amusing (at the time) track "1000"
anyone championing it (even ironically) really should be embarrassed.
hang on a minute - are we talking about hardcore or gabber here? my bile is specifically aimed at gabber
if we're talking hardcore than I own quite a lot! mainly stuff like genaside II, jonny l, zero b, early XL records before they went pop. Happy hardcore and those pitched-up vocals completely lost me though
apols for generalisation but it does to seem to me northern boy racers are into bosh, whereas in London/SE it's all rnb/garridge/UK FUNKY - fair comment?
I do agree with you on trendy bandwagon jumpers (people all jumping on joy orbison, burial, the XX - I doubt many of them will be remembered in 18 months time) and there are lot of mischievous journalists hyping their decidedly average mates up. But I do nevertheless have a lot of respect for artists trying new things, not necessarily coming off but still trying at least to extrapolate something new from the creative embers of dance music. But people just churning out 200bpm soulless anti-music without any identity or charm - I just don't get that. And you as someone who has championed incognito and soulful house and disco - I don't get that either! I listened to a lot of Euro NRG when I was 18, but even then, there was some kind of melody to it and therefore a point. And if music just becomes noise, what is the point? why not simply record a pneumatic drill outside and press it up? Or can someone educate me about the finer points of gabber - and change my life. And pass the Billy whilst you're at it.