I find it that whole 88-90 period really fascinating, when things were coming together almost by accident, the innocence in alfredo's sets, which became cult classics, the italians adopting US house and making something different out of it and the birth of the whole E phenomenon. Would love to hear your thoughts on what you made of it all at the time, who you met and what happened to everyone. A group of about 50 of us last summer tried to recreate the vibe - a few veterans and one or two whippersnappers like myself. A beautiful week
if you've got any old snaps or films of your own, Dave, post 'em up too!
This is an extract taken from an old library Newspaper cutting i found about 5-6yrs ago telling of Ibiza's Club scene over the past two decades etc. Apologies again as i don't have the original writers name given i hastedly ripped the page out for keeping whilst no one was looking
While such vast crowds are packing Ibiza's biggest clubs to hear the crème de la crème of British dance music, the man who inspired Ibizan house music fears that the scene he began is ruining the island he still lives on and loves. The Argentine DJ Alfredo, was a journalist with Latin America's oldest newspaper who found himself forced to flee the junta's repression. He eventually wound up on Ibiza. By 1985, he was running a nightclub in the centre of the island named Amnesia. Across the road, the much more popular Ku club attracted dressy 1980s hipsters to dance to the likes of Grace Jones, Freddie Mercury and Boy George.
Forced to wait hours after he closed Amnesia for the owner to arrive and pay him, Alfredo decided to keep the club open. He spun a selection of wildly eclectic vocal records, merged with harder new disco sounds from an exciting club in Chicago named House. Within weeks, the crowds leaving Ku were queuing outside to carry on the party at Amnesia, and the world's first after-hours daytime club was born.
At much the same time, supplies of MDMA began flooding the island. The drug, sold to clubbers in pills as “ecstasyâ€, made users deliriously happy and helped party- goers dance for hours in the sunshine. All music sounded better on the drug, but the shiny textures of electronic music went perfectly with the experience. Alfredo's radical new Balearic sound made a potent cocktail.
In 1987, four English soul-boy DJs — Paul Oakenfold, Danny Rampling, Nicky Holloway and Johnny Walker — went to Ibiza for some fun in the sun, were blown away by Alfredo's Amnesia and vowed to take Balearic house music back to the UK. By the summer of 1988, their London party, Shoom, had kicked off the UK's dance-music scene (known as “acid house†in the media). Two decades on, Ibiza's biggest clubs are dominated by British DJs, promoters and bands. Last weekend, Chemical Brothers, Basement Jaxx, Oakenfold and Pete Tong all played there. So, what is its enduring appeal as a party island — particularly for the Brits?
It has been a magnet for hedonists since early history. The Carthaginians set up a cult to their goddess of sex there in 654BC, and named Ibiza after Bez, their god of dance, whose statues still litter the rocky coast. Later, Roman aristocracy headed to Ibiza for downtime, and in the 1960s it became a stop on the hippie trail.
How have things changed? “In the 1980s, we were in the open air, there were fewer people and it was more cosmopolitan,†says a tired-sounding Alfredo. “On the dancefloor, you found old people, young people, black people, white people, kids, families. There were no promoters, no expensive drinks, no €70 entrance fees. There were more VIP people, but nobody rushed up to George Michael or Grace Jones for a photo. They were left alone to enjoy themselves.â€
Spend an afternoon on an Ibiza beach today and you are bombarded by troupes of wandering promoters thrusting flyers in your hands, typically accompanied by scantily clad beauties in the club's colours. Each night, the big clubs go head-to-head to attract partygoers willing to pay at least €50 admission and hundreds of euros on staggeringly overpriced drinks: a bottle of 25cl water costing €8 is the cheapest.
“Twenty years ago, there was no hype,†Alfredo says. “That is the biggest difference. Today, it's good business for the record labels. They've developed a place that is a showcase for British bands. It's much more commercial.†Is all this commercialism good for Ibiza? “The island is more expensive now, and there's a huge difference between the busy months of summer and the rest of the year,†he says. “But it's not just Ibiza that changed — the world changed. The whole love vibe has disappeared.â€
Today, it seems the island's government is attempting to attract a more exclusive type of tourist. Extensive road and port improvements have drawn the ire of local environmentalists, clubs have been forced to close during the day and all new hotels on the island must be five-star. “The authorities have made mistakes,†Alfredo claims. “They dream of a VIP island. They want to stop young people and families coming. They want to get rid of the people who have made them rich. They don't realise that Ibiza was already full of genuine VIPs, not pretentious people pretending to be VIPs. There's one record that says everything: “Le freak, c'est chicâ€. Ibiza has become a ‘bling' island.â€
Each August, the international jet set decamps to Ibiza en masse. Last weekend, there was little evidence of the credit crunch biting, as a succession of £100,000 villa parties drew celebrities such as Kate Moss, Jade Jagger and Sly Stallone. At the same time, thousands of clubbers packed Pacha's vast main room for Basement Jaxx. Now busy working on their fifth album, the south London band have taken a residency at the Ibizan institution (opened in 1973) to get out of the studio and try new tracks on a big crowd. They agree that the commercialised Ibiza scene has moved a long way from the life-changing vibe inspired by Alfredo two decades ago.