is this out yet?, how long has it been out?
It’s sometimes electro inspired and always funky as hell, but despite exuding obvious quality it doesn’t really strain to innovative. However if a label isn’t broke then don’t fix it (Y’ all!)
Head honcho Erick knows for sure it’s not broken yet and so gives us what we want – funky, happy, peak time, floor fillers!
CD1 sets out very electro with a raw cut by L T Brown, which is followed by Monkey Bars’ latest ‘Pass You By’. Soon the filtered funk creeps through with CZR and Darryl Pandy’s ‘Bad Enough’. Smooth & J. Antoine Claman then takes it below the belt with a porno/peado styled ‘Get Naked’ and the obligatory preacher accapella here and there certifies a Subliminal CD…
CD2 is more my flavour on a deeper tip than its predecessor and containing the fantastic (and yet commercial!) ‘A Little More Love’ by David Guetta – (The Wally Lopez Remix by the way). The CD mix journey continues in hypnotic mode as the mysteriously titled ‘Camel Riders’ Featuring Nkemdi get just a bit tougher and a little ‘Twisted’ which I really like! We are then introduced to the brand new spooky rework of Josh Wink’s ‘Don’t Laugh’ from Miami man Robbie Rivera. Deepo Kings take it deep and minimal and it continues as Subliminal super star Harry Romero enters the mix with his ‘Calling Me’ track – a fantastic big drama with Jessica Eve on vocals.
Li’l Mo Ying Yang’s ‘Reach’ force hands upwards with the Original and Lee-Cabrera Mixes blended creatively by Erick. Sir Robert Of Owens then takes it back with Harry Romero on the Dean Coleman mix of ‘I Go Back’. Thumbs up again for Subliminal – here is soul, disco, electro, funk and Latin to go with vocal, tribal tech house!
Morillo really works his mixes, flexing his funk and demonstrating his incredible diversity, plenty of light with darker moments to contrast Experience has taught Erick – we are in good hands, this is the reason for Subliminal success!
It’s sometimes electro inspired and always funky as hell, but despite exuding obvious quality it doesn’t really strain to innovative. However if a label isn’t broke then don’t fix it (Y’ all!)
Head honcho Erick knows for sure it’s not broken yet and so gives us what we want – funky, happy, peak time, floor fillers!
CD1 sets out very electro with a raw cut by L T Brown, which is followed by Monkey Bars’ latest ‘Pass You By’. Soon the filtered funk creeps through with CZR and Darryl Pandy’s ‘Bad Enough’. Smooth & J. Antoine Claman then takes it below the belt with a porno/peado styled ‘Get Naked’ and the obligatory preacher accapella here and there certifies a Subliminal CD…
CD2 is more my flavour on a deeper tip than its predecessor and containing the fantastic (and yet commercial!) ‘A Little More Love’ by David Guetta – (The Wally Lopez Remix by the way). The CD mix journey continues in hypnotic mode as the mysteriously titled ‘Camel Riders’ Featuring Nkemdi get just a bit tougher and a little ‘Twisted’ which I really like! We are then introduced to the brand new spooky rework of Josh Wink’s ‘Don’t Laugh’ from Miami man Robbie Rivera. Deepo Kings take it deep and minimal and it continues as Subliminal super star Harry Romero enters the mix with his ‘Calling Me’ track – a fantastic big drama with Jessica Eve on vocals.
Li’l Mo Ying Yang’s ‘Reach’ force hands upwards with the Original and Lee-Cabrera Mixes blended creatively by Erick. Sir Robert Of Owens then takes it back with Harry Romero on the Dean Coleman mix of ‘I Go Back’. Thumbs up again for Subliminal – here is soul, disco, electro, funk and Latin to go with vocal, tribal tech house!
Morillo really works his mixes, flexing his funk and demonstrating his incredible diversity, plenty of light with darker moments to contrast Experience has taught Erick – we are in good hands, this is the reason for Subliminal success!
