McRackin
Super Moderator
Ibiza unplugged
[FONT=arial,helvetica,sans-serif]After two decades of banging Balearic beats, Ibiza is rediscovering its mellower hippy roots[/FONT]
[FONT=Geneva,Arial,sans-serif]Stephen Armstrong
Saturday July 1, 2006
The Guardian[/FONT]
[FONT=Geneva,Arial,sans-serif]Full circle ... the new - or is that old? - face of Ibiza. Photograph: Richard Saker.
[/FONT]
It's a hot June Sunday in Ibiza at the start of the clubbing season. All over the island, clubs like Space, Privilege, Amnesia and Es Paradise are opening their doors and rubbing their hands in anticipation at the thought of all the euros they'll be taking.
About half an hour's drive from the main Ibiza Town-San Antonio drag, however, a different sort of hedonism is unfolding. At the end of a dusty track, there's a beachside restaurant called PK2 where a mixed bag of casual sun worshippers and sophisticated pleasure seekers have paid €10 for a restrained all-night party. The sea laps against the shore, just audible over the eclectic range of soft baselines throbbing from the wooden balcony, and people chat in muted friendly tones. It's about as far as you can get from the serried, concrete terraces of superclubs with their ranks of hands-aloft maniacs chanting the names of ageing DJs. And it looks like it might just be the future of the island.
This summer, Ibiza is having a bit of an identity crisis. The last couple of years, the world has started to lose interest in the monotonous thump of house music's endless bass drum. Visitor numbers have fallen and islanders have been casting around for a way to save their revenue now that the 1990s regulars have grown up and moved on.
Almost accidentally, the island is gradually returning to its roots in laid-back 60s hedonism. Small open-air parties on beaches, low-key cabaret nights in hotel bars and one-off performance evenings by experimental theatre troupes are the currency of this summer. It takes a little more work to find out what's on where, but the rewards are far greater for those who've chucked in the 'avin it approach that has dominated the island for the last 20 years.
Over at the Es Vive bar in Figueretas, for instance, there's a diverse series of monthly nights hosted by Smirnoff & the Electric Cabaret featuring the likes of The Cuban Brothers and Yoda Goes To The Movies, offering films, performance and DJing to a crowd of no more than 150 (you'll have to ask at the hotel reception or the Base Bar on Ibiza port for a free ticket on a first come basis). Meanwhile, there's Mardi Gras-themed nights run by drinks brand Southern Comfort in the gardens of a villa where theatre collective Gideon Reeling lead punters off into grottoes while Rob da Bank, Idjut Boys and Coldcut play live.
These bohemian revels recall the autobiography of author Janet Frame, filmed by Jane Campion as An Angel At My Table. Frame arrived on the island, met an American painter called Bernard and "felt at peace within my own mind, as if I were on an unearthly shore". Bernard "called on other Americans, many of them exiles from the McCarthy regime. "We attended recitals of music and poetry at the French Institute. We wined and dined with the men and women living with their chosen partners in the sensuous sensual kind of luxury enjoyed by the lotus eaters."
For Danny Spiegel, who's run the Eco Café in one-time hippy haven Sant Joan for the last 30 years, it's all very welcome. He remembers the first open-air parties around bonfires organised by a French hippy-entrepreneur called Anant with a sound system and a tent from Morocco. The parties attracted Mike Oldfield, Frank Zappa, Joni Mitchell, Robert Plant, Terence Stamp and Pink Floyd who made Ibiza a haven for the hairy jet set.
It was these hippy parties that gave Ibiza its reputation. In the early 80s, an unknown Argentinian dissident called Alfredo fled from the prisons of Galtieri in search of simple pleasures. With a limited box of records he managed to persuade the owner of a failing hippy bar called Amnesia to let him DJ. Amnesia couldn't compete with the open-air luxury of Freddie Mercury's favourite club Privilege, so they'd take anyone who was cheap. Alfredo's record collection was so basic and his DJ skills so poor that he was only allowed the 4am slot, playing to a handful of bedraggled refugees who couldn't afford Privilege's prices.
Then, by a stroke of luck, the strange Bhagwan Rajneesh cult operating in Sant Joan was broken up by the US government for tax evasion. The cult used 3,4-methylenedioxy methamphetamine, or MDMA, in its brainwashing rituals and once its founder had been jailed bemused cultists wandered the island with pockets full of the stuff. It took about five minutes for clubbers and cultists to meet, and before long Alfredo was playing to packed houses of joyous e-munching dancers who loved his mix of obscure US house music, old disco, Prince tracks and even reggae 12-inches. From there, the tentacles of what came to be known as acid house spread around the world and Ibiza became the good time grail for thousands of young Europeans keen to wave bottles of water and gurn like Worzel Gummidge.
And then the world moved on. Ibiza Town's bid to make itself the yachting crowd's haul over du jour hasn't quite worked. Instead, the glamorous set left behind by the acid house tide have started entertaining themselves. For them, the north of the island is home, and it's there that this summer's fun is to be had.
Jade Jagger, Elle MacPherson and their fashion friends meet in the bar at the Hotel Atzaro. The hotel is 2006's latest agrotourism delight. If it's intimate open-air soirees you're after, this is the place to pick up all the news. A little further down the road, there's the Aura bar - which does feel a little too much like a burger and pool dive in Notting Hill, but there's plenty of Ibicencos dropping by to play pool and gossip. It's a short cut into the smaller parties or just a way to make friends easily. You could also pick up tips over dinner at La Paloma, a pretty country restaurant in the village of San Lorenzo.
If the floaty fashion crowd and flamboyant cabaret nights aren't your thing and if you still harbour a sneaking desire for four-to-the-floor beats, then head further south. The music industry seems to gravitate around the Blue Marlin, also known as the old Jockey Club on Cala Jondal. It's right on the beach with an enclosed glass-fronted dancefloor - to overcome noise restrictions - while during the day everyone drifts through a garden filled with huge beds and hammocks. It's got the feel of the PK2 parties, but at heart it's a beach bar where people go to dance all night. After all, that has been the point of Ibiza for the last 40 years.
· The White Island, by Stephen Armstrong, is published by Transworld at £7.99.
[FONT=arial,helvetica,sans-serif]After two decades of banging Balearic beats, Ibiza is rediscovering its mellower hippy roots[/FONT]
[FONT=Geneva,Arial,sans-serif]Stephen Armstrong
Saturday July 1, 2006
The Guardian[/FONT]
[FONT=Geneva,Arial,sans-serif]Full circle ... the new - or is that old? - face of Ibiza. Photograph: Richard Saker.
[/FONT]
It's a hot June Sunday in Ibiza at the start of the clubbing season. All over the island, clubs like Space, Privilege, Amnesia and Es Paradise are opening their doors and rubbing their hands in anticipation at the thought of all the euros they'll be taking.
About half an hour's drive from the main Ibiza Town-San Antonio drag, however, a different sort of hedonism is unfolding. At the end of a dusty track, there's a beachside restaurant called PK2 where a mixed bag of casual sun worshippers and sophisticated pleasure seekers have paid €10 for a restrained all-night party. The sea laps against the shore, just audible over the eclectic range of soft baselines throbbing from the wooden balcony, and people chat in muted friendly tones. It's about as far as you can get from the serried, concrete terraces of superclubs with their ranks of hands-aloft maniacs chanting the names of ageing DJs. And it looks like it might just be the future of the island.
This summer, Ibiza is having a bit of an identity crisis. The last couple of years, the world has started to lose interest in the monotonous thump of house music's endless bass drum. Visitor numbers have fallen and islanders have been casting around for a way to save their revenue now that the 1990s regulars have grown up and moved on.
Almost accidentally, the island is gradually returning to its roots in laid-back 60s hedonism. Small open-air parties on beaches, low-key cabaret nights in hotel bars and one-off performance evenings by experimental theatre troupes are the currency of this summer. It takes a little more work to find out what's on where, but the rewards are far greater for those who've chucked in the 'avin it approach that has dominated the island for the last 20 years.
Over at the Es Vive bar in Figueretas, for instance, there's a diverse series of monthly nights hosted by Smirnoff & the Electric Cabaret featuring the likes of The Cuban Brothers and Yoda Goes To The Movies, offering films, performance and DJing to a crowd of no more than 150 (you'll have to ask at the hotel reception or the Base Bar on Ibiza port for a free ticket on a first come basis). Meanwhile, there's Mardi Gras-themed nights run by drinks brand Southern Comfort in the gardens of a villa where theatre collective Gideon Reeling lead punters off into grottoes while Rob da Bank, Idjut Boys and Coldcut play live.
These bohemian revels recall the autobiography of author Janet Frame, filmed by Jane Campion as An Angel At My Table. Frame arrived on the island, met an American painter called Bernard and "felt at peace within my own mind, as if I were on an unearthly shore". Bernard "called on other Americans, many of them exiles from the McCarthy regime. "We attended recitals of music and poetry at the French Institute. We wined and dined with the men and women living with their chosen partners in the sensuous sensual kind of luxury enjoyed by the lotus eaters."
For Danny Spiegel, who's run the Eco Café in one-time hippy haven Sant Joan for the last 30 years, it's all very welcome. He remembers the first open-air parties around bonfires organised by a French hippy-entrepreneur called Anant with a sound system and a tent from Morocco. The parties attracted Mike Oldfield, Frank Zappa, Joni Mitchell, Robert Plant, Terence Stamp and Pink Floyd who made Ibiza a haven for the hairy jet set.
It was these hippy parties that gave Ibiza its reputation. In the early 80s, an unknown Argentinian dissident called Alfredo fled from the prisons of Galtieri in search of simple pleasures. With a limited box of records he managed to persuade the owner of a failing hippy bar called Amnesia to let him DJ. Amnesia couldn't compete with the open-air luxury of Freddie Mercury's favourite club Privilege, so they'd take anyone who was cheap. Alfredo's record collection was so basic and his DJ skills so poor that he was only allowed the 4am slot, playing to a handful of bedraggled refugees who couldn't afford Privilege's prices.
Then, by a stroke of luck, the strange Bhagwan Rajneesh cult operating in Sant Joan was broken up by the US government for tax evasion. The cult used 3,4-methylenedioxy methamphetamine, or MDMA, in its brainwashing rituals and once its founder had been jailed bemused cultists wandered the island with pockets full of the stuff. It took about five minutes for clubbers and cultists to meet, and before long Alfredo was playing to packed houses of joyous e-munching dancers who loved his mix of obscure US house music, old disco, Prince tracks and even reggae 12-inches. From there, the tentacles of what came to be known as acid house spread around the world and Ibiza became the good time grail for thousands of young Europeans keen to wave bottles of water and gurn like Worzel Gummidge.
And then the world moved on. Ibiza Town's bid to make itself the yachting crowd's haul over du jour hasn't quite worked. Instead, the glamorous set left behind by the acid house tide have started entertaining themselves. For them, the north of the island is home, and it's there that this summer's fun is to be had.
Jade Jagger, Elle MacPherson and their fashion friends meet in the bar at the Hotel Atzaro. The hotel is 2006's latest agrotourism delight. If it's intimate open-air soirees you're after, this is the place to pick up all the news. A little further down the road, there's the Aura bar - which does feel a little too much like a burger and pool dive in Notting Hill, but there's plenty of Ibicencos dropping by to play pool and gossip. It's a short cut into the smaller parties or just a way to make friends easily. You could also pick up tips over dinner at La Paloma, a pretty country restaurant in the village of San Lorenzo.
If the floaty fashion crowd and flamboyant cabaret nights aren't your thing and if you still harbour a sneaking desire for four-to-the-floor beats, then head further south. The music industry seems to gravitate around the Blue Marlin, also known as the old Jockey Club on Cala Jondal. It's right on the beach with an enclosed glass-fronted dancefloor - to overcome noise restrictions - while during the day everyone drifts through a garden filled with huge beds and hammocks. It's got the feel of the PK2 parties, but at heart it's a beach bar where people go to dance all night. After all, that has been the point of Ibiza for the last 40 years.
· The White Island, by Stephen Armstrong, is published by Transworld at £7.99.